The two halves of the top are removed here, showing the damaged frame.
Rebuilding the Table Frame.
Pulling apart the table gives away the secrets of how it was made. It was obviously made in a workshop environment, a combination of machine work and hand work. It is clear dado blades in a table saw were used to cut the table button grooves and the sliding mechanism grooves in the long side rails. A table saw was used for cutting one cheek of the tenons, and hand sawing cut their shoulder. The back face of each tenon was the back face of the rail. A mortising borer (probably on the end of a table saw spindle I reckon) was used to cut the mortises in the legs, as evidenced by the round ends in the mortises. Hide glue was used to assemble the table - most of which had held despite the abuse - hence the mortises had snapped off rather than the glue giving way. The table buttons were fashioned by hand, and yellow pine angle blocks were used to shore up the inside corners of the frame. Glued and nailed. The glue on these blocks had failed on many of the joints - it was the nails which mostly held these in place. The jarrah had been stained to a dark walnut colour on the visible faces. The curved corner wings of the cabriole legs were glued and nailed in place, with a dowel also used with each of these on the far end of the table. Very simple construction and mechanism. I will add new corner blocks to the 7 joints that I rebuild, as well as replacing the two ends of the frame.
One of the re-built corners around the leg. With the top corners of the cabriole "wings" broken off and missing, you can see here how I am gluing in small blocks which I will then shape to complete the curves at the transition point.
This pic shows one of those missing top corners of the cabriole "wings" now in the process of being shaped to complete the nice flowing transition to the leg.
The table frame here is rebuilt and prepared ready for staining and finishing. I moved the frame out of the workshop into the patio, where there would be better light for the staining and finishing. To get the new jarrah to match the old finish, after some trials I used a walnut flavoured wiping stain to get the colour up and then applied several coats of shellac over the lot. This was followed by a dark furniture wax -with a hint of walnut flavour in it as well.
The extension mechanism's threaded rod needed straightening, so I did that as best I could using a metal vice and an anvil. Much better. The threaded nut is cast brass or bronze, with the manufacturer's inscription: J & A, F'cray, V. I did a bit of googling for info about "J&A" in Footscray Victoria, but I have not found any info at all. Does anyone out there know anything about this foundry or manufacturer? It might help to date the table... At this stage I am guessing that the table was made in Perth sometime between 1900 and the 1920's.
Making the new Extension Leaves.
Now that the rebuilding of the table has been completed, it was time to get onto making the missing extension leaves. The table extends about 18 inches to the limit. Instead of making one wide leaf (which are a pest to store) I made two narrower leaves, as these are easier to store, not too heavy, and more versatile.
Making the new leaves was easy. Trying to match the colour was a real challenge... but then, it almost always is with restoring old furniture. I had several goes with a range of different stains but just couldn't get a perfect match. Three times I got the finished polish on and decided it wasn't good enough - so had to take it all off and start again! What I have settled with is a bit reddish in tinge, but actually it looks really nice in the centre of the table. I will never guarantee to be able to do a perfect colour match - for good reason!
This next picture shows the table with the leaves removed and sitting on top.
What a delightful privilege has been to give new life to a wonderful old piece of furniture. In many ways, furniture and people have a lot in common...
Job done - and the table's story continues to unfold...
The story of the table is echoed in the way that it has been made, the battle scars and stains in the top and the frame, the marks of the earlier repairs which were made to it long ago, the old-looking new extension leaves, the memories embedded in it of the family which have passed it down the line, and the new structural repairs which I have just undertaken. This and more all adds up to create the story of the table - which gives it it's character and identity.
I am told that the family are looking forward to gathering around the table to have morning tea on the morning I will be delivering it back to it's proud owners. A new chapter of the table's story begins...